DJ RIX 2003 FAVORITES
by Bob Rixon
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GUSTAV HOLST / Savitri:
Based on an episode from the Mahabharata / City of London Sinfonia conducted
by Richard Hickox / Helios. |
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DMITRI SHOSTAKOVICH
/ Complete (14) Symphonies / WDR Sinfonieorchester conducted by Rudolf Barshai
/ Brilliant Classics (11 CDs). |
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DVORAK, JANACEK, ENESCU / Music for
Wind Ensemble / Oslo Philharmonic Wind Soloists / Naxos. |
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LUDWIG VAN BEETHOVEN
/ Variations & Vignettes / Alfred Brendel, piano / Vox Box. |
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YELLOW MAGIC ORCHESTRA / High Tech
- No Crime: YMO Remixed / Moonshine Music. |
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DAME
MARGARET PRICE / Schubert Lieder / EMI. After several attempts with other more famous divas old & new, a modest 1971 recording by then 30 year old Welsh songbird Margaret Price finally won me over to Schubert lieder. & I first heard her singing a high wordless modal melody in a Vaughan Williams symphony. |
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STEVE REICH / Tehillim & The Desert
Music / Ossia, Alarm Will Sound / Cantaloupe. |
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Masters
of Mayhem / San Diego Symphony conducted by Lalo Schifrin / Intersound.
Ah, the movie soundtrack nuts must despise this recording. No complete scores with" lost" 30 second cues; just some fine Bernard Herrmann & Franz Waxman music for Hitchcock films distilled into short concert suites. Add a few things by Schifrin including symphonic Dirty Harry themes & Mission Impossible & you have a swell recital. |
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JACKIE McLEAN / Hipnosis
(With Grachan Moncur III / Blue Note Jazz Classic Series (two album set). |
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JOHANNES BRAHMS / Serenades No. 1
& No. 2 / Westdeutche Sinfonia conducted by Dirk Joeres / IMP-Carlton.. Every year a few recordings come out of nowhere to utterly & unexpectedly charm me. These serenades, compositions of Brahms' youth - his twenties after the Schumann's had championed him but before he'd done any really large works - are, well, youthful. Filled with lovely melodies, interesting experiments, high spirits & soft melancholy, dances & songs, it spent many hours inside my CD player. The Preraphaelite cover art for this series a plus. Bargain, too. |
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Until 2003 I'd never listened
to Blonde On Blonde straight through uninterrupted without
flipping an LP or a tape. Now, remastered on one CD, is confirmation
that it's Dylan's best album containing his most fantastical & entertaining
lyrics. That is, the bullshit counts for something. Highly subversive, mostly
indifferent to the 1966 music trends & marketplace. At my
high school kids who hadn't yet smoked pot walked around chanting "Everybody
Must Get Stoned" in addition to the latest Motown & Brit hits. &
that's not even "Visions of Joanna" or "Stuck Inside of Mobile" or
"Sad-eyed Lady" - the latter less epic & more tender in this context.
& when I say "best," I mean best! |
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JIM COHN / The Golden Body: Meditations
on the Essence of Disability / Museum of American Poetics Publications (book). |
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SAM ABRAMS / Old Pothead
Poems / Creative Arts (book). |
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Bedroom Bliss with Beethoven
I have no idea what's on this ghastly "concept" album. Explicit lyrics? Not our boy. Even Fidelio was more about prison & male envy than about love. Poor Luddy was probably the most unsexy & most sexually frustrated of all the greatest composers. So he argued with The Deity instead. An anonymous vacation in southern Italy would've done wonders for his psyche. Nonetheless, this is the best CD cover of the year. |
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(above left) Cyclone & (above right)
Under the Boardwalk © Evie Tirado
Evie Tirado's boardwalk (Coney Island) is color,
movement, & especially music. While there is nostalgia -
part of the attraction for sure - it is not about imitation, preservation
or sideshow geekiness - but about the boardwalk as it is. I
feel a strong kinship with her point-of-view.
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